The History Of Marcasite Jewelry

The sixty-four 12 months length between 1837 to 1901 is referred to as the Victorian period, and this era used to be marked via the ascension of a tender Victoria to the throne of England. This used to be a time of significant romance, epic tragedies (particularly with the demise of Victoria’s husband Prince Albert in 1861) and extraordinary prosperity.

Jewelry designs of the period fell into 3 wide classes: the Romantic length (1837 to 1860) which used to be marked via jewellery with complicated engravings, delicate tooth paintings and serpentine designs; the Grand Period (1861 to 1888) which coincided with Victoria’s bereavement and due to this fact used to be marked via jewellery reflecting darkish, somber topics; and the Late Victorian length (1889 to 1901) the place diamonds dominated and jewellery items have been decidedly whimsical and impressive.

Immediately after Queen Victoria’s demise, there used to be a temporary length of alternate in jewellery design, referred to as the Art Noveau – marked via jewellery impressed via nature and topics mythological in foundation – and the Edwardian length characterised via jewellery of ethereal lightness and funky class reflective of British aristocracy and rich American industrialists.

The designs of the period – marked via an abundance of small however good stones (particularly all the way through the Late Victorian period and the Art Noveau/Edwardian length) inlaid in silver and different treasured metals – are experiencing a revival these days. Modern Victorian-era impressed jewellery, alternatively, are applying a mineral referred to as marcasite or white pyrite as an alternative of the standard stones. Marcasite (also known as white pyrite or white iron pyrite) are in reality pyrite crystals which can be made into jewellery.

The use of Marcasite has ensured a well-liked selection for jewellery of all kinds.